Hist 390 Thesis home

 

 

Syllabus: Fall 2006

Westminster  College

 

Prof. Michael Markowski

History Program

 

 

     This course invites each student to make history. Drawing from the many courses undertaken, and various understandings gained over the past years of higher education, we will produce a completed thesis.

      We will also analyze the discipline of historical research itself, i.e., study not only the various ways in which people have written history in the past, but also how one artfully creates history by pulling together past years of life, studies and reflection. This seminar should reveal new insights into the historian's craft & art, and ease our passage toward the completion of a major research project.

      Those students who are taking only Hist 390 (i.e., not Hist 490) complete a thesis. Those who are taking Hist 390 & 490 complete preliminary segments in 390 (including a rough draft), then complete the thesis in 490. The History Program recommends the 390/490 route.

 

 

 

To conceive and carry forward a major research project;

To communicate our progress, problems and solutions regularly, thus working with colleagues and incorporating their advice advisedly;

 

To interpret critically all views -- grasping models of historical interpretation within primary and secondary sources along with the often-connected bias, then judging this material and arranging those judgments in a spectrum of more or less accurate evaluation.

To be competent and knowledgeable (fully) in one historical area, and to explain the resultant insights through writing history;

To become more familiar with the profession in its rational and irrational sides.

To pull together and put to use the various results from courses of study pursued in the past.

 

Kate Turabian. A Manual for Writers.

Head Start Reading 'Round your project

Overview #1 & #2

Grades will be drawn from two areas: Regular discussions on readings and thesis progress (30%); the written work (70%) consisting of Eight Elements

for 390-alone students, the finished thesis; for 390-490 students, the Segments, i.e., Proposal, Topical Essay, Primary & Secondary Source Notes, Chronology, Literature Review, Short Outline and Long Outline.

 

T-Th 10-12 & MW 11:30-12

       Office Hours are in my office at Foster 419  (832-2391). -- mm mail

mm homeMarkowski Home

 

 

 

       About a century ago, the historian Leopold von Ranke invented the method of research called a "seminar" in the hope of writing history, as he put it, "wie es eigentlich gewesen," or, "as it really happened." Von Ranke found that the seminar fostered not only careful control over the material, but also deepened students' interests through the discussions.

 

     First of all, E.H. Carr et al. have shown that we cannot represent history "as it really happened." We should try to approach that ideal, but objective history is a mirage: If you think you have attained it, get out of the sun. Second, each of us is invited to engage the inquiry of choice, rather than all of us working on the same sources (Von Ranke's method). This opens up large slices of life through many centuries and places, but the method remains unified: Based on individual research, we will all read and re-read, think and re-think, search and re-search, write and re-write, consistently substantiating, contextualizing and explaining each part and point of history until we reach the finished thesis project.

 

      While success depends mainly upon your thought and effort, we will also enter into balanced critiques of others' projects in class. We are, I assume, united in that our intellectual interests are broad enough to foster useful discussion on all sorts of historical topics. Feedback and suggestions are important! This format should jog projects out of ruts and propel ideas further than expected. And I do mean "We" since segments of my own current and past projects will be presented to you as examples, along with the tools used and stages endured. (Endured?) I firmly believe that if you can do it, so can I .... or, is it the other way around?

 

Preparation for class is crucial for this course, and we will discuss our work of the past week in each class. Best hint? Spend some time every day on your thesis -- like practicing music -- a little each day is a LOT better than none, and a LOT each day is better than all!
Calendar 

HIST 390 meets on Friday,

9-11:50 in CONV 102


1. INTRODUCTION TO THE HISTORY RESEARCH SEMINAR

Read each short piece linked to the syllabus to prepare for class and to have some help guiding your work beyond what we do in class. Please, don't miss any of them! All are important or they would not be here.

  • For this day & week:
    • Course, Books, Methods, Questions (Hist 390 & 490)
      Overview of the task ahead
    • Do: Follow your Interests, and #1 & #2 if you have not already...
  • For the coming week
    1. Proposal Critique: Read & Prepare
    2. Read 'Round your own Topic(s). Please prepare to discuss and respond to all the linked pieces here next week: succeeding weeks same method -- prepare for each class from this syllabus.
    3. Inhabit libraries & solitary places: Think about historical interests, inquiries & topics to pursue in 390
    4. What is history? Here is one definition. What definition of history do you offer, and what differences with the above? Why the differences?

2. DISCUSS THE NATURE OF HISTORY: What is Your Definition?

  • For today: Discuss the Examples of the two Proposals: What problems do you see? Keep in mind Sic et Non: nothing should be free of questions & debate
  • For the coming week:
    1. Consider and Implement as you write to hand in next week: Proposal Necessities
    2. Discuss the place your topics/proposals are in
    3. Discuss the nature and place of notes, and your ideas about note-taking: This will be an on-going discussion and (for me) is the heart of my research projects


3. PROPOSALS: REASONS & APPLICATIONS

  • Hand in your Provisional Proposal (2-3 Pages); present it to the class
    • Discuss proposals
    • Discuss note-files as they morph into an Annotated Bibliography
  • For Next Week:
    1. Edit your Proposal
    2. Consider a Topical Essay; Read, Read, Read esp. Good Secondary Sources

4. COMPOSING: THE TOPICAL ESSAY

  • Today: Discuss the Topical Essay: Reasons, Uses, Editing it for brevity
  • Next 7 days: "Location, location, location!" or, "Context, context, context!"
    1. Prepare a Topical Essay to turn in next week: Necessities
    2. Reading assignments are yours to make -- welcome to the world of discipline, aka, self-motivated progress
    3. As you research Secondary Sources in the next few weeks, Please do continue to read/research/think about Primary Sources which form the beating heart and life of history theses. Let these Primary Sources, and your ideas about how each relates, reside CLEARLY in your note files.

5. BEYOND THE PROVISIONAL PROPOSAL: TOPICAL SEARCH AND RE-SEARCH

  • Hand in your Topical Essay (3-5 pages) Discuss its reasons to exist
  • Coming:
    1. Using Inter-Library Loan & the U of U Library, gather your primary sources; integrate these pieces of evidence into your notes: don't neglect this even though we are focusing on Historiography!
    2. Find Literature Reviews &/or Historiographical Essays to discuss
    3. The Literature Review

6. SECONDARY SOURCES

  • Discuss
    • the Lit Rev Example: Relation of this to primary sources
    • Present & Discuss the Literature Reviews and Historiographical Essays you have found
    • Discuss them in context of the readings
  • For the Coming Week: Research your Literature Review
    1. Copy, trade with others, and present/critique 1 page of someone else's Lit Rev or Historiographical Essay (critique means finding flaws, yes, but primarily suggesting good solutions to the flaws.
    2. Keep researching/reading secondary sources and especially how they open to you valuable primary sources

7. THE LITERATURE REVIEW: ALL YOU NEVER WANTED TO KNOW, SOMETIMES... a story about that

  • Discuss
    • The Lit Rev of your colleague/comrad
    • Last Questions about your final Preparation of the Literature Review (3-5 pages): what primary source hints have emerged from your secondary source research? Discuss a couple examples.
  • Next
    1. Make a short outline of your Lit Rev to discuss next class when you hand in the Lit Review
    2. Complete your Lit Review


8. EVIDENCE: OUTLINE IT FIRST; READ YOUR OUTLINE, THEN THINK ABOUT IT

  • Today:
    • Hand in your Literature Review
    • Discuss your short outline and your ideas about that outline
  • For Next Week:
    1. Build your Long Outline, as far as you have gone, for presentation to the class (i.e., photocopy a page or two to share around)
    2. Compress the Long Outline into the Short Outline. Prepare to complete and hand in only the Short Outline (The Long Outline is yours to treasure, and a page or two shared around)

9. FLOW OF OUTLINES: INDIVIDUALLY AND IN RELATION TO EACH OTHER

  • Be confident of your Long Outline (Many pages)
  • Hand in your Short Outline (1 Page Must Cover All)
  • Discuss your Long Outline with the class with a page or two of examples
  • Begin going over all Seven Components, Revising Regularly, thinking ahead to how you will incorporate each into the Rough Draft
    • Especially, let your progress in primary-source research feed back into your Proposal. Secondary sources as well likely will cause changes/additions/deletions in your Proposal.  

10. PRESENTING THE THREE MAJOR PIECES OF EVIDENCE IN YOUR PROJECT so far

11. STICHING SEGMENTS TOGETHER WITH THREADS OF YOUR THOUGHT

12. WRITING THE FIRST DRAFT OUT OF THESE SEGMENTS

13. MEET IN MY OFFICE AS NECESSARY: I suggest you complete your work on Dec 1.

14. TURN IN the Rough Draft (comprising all 8 Segmentson  Dec. 1. This is an essential assignment and moment: turn it in, give it up, do it. You will feel better. If you need further revision, talk to me about turning in a later revision during exam week.

 

Each HIST 390 Segment (Proposals, Topical Essay, Lit Review etc.) should conform to this form, i.e., the norm. For example, Proposal#1 will be your first paper to hand in. It contains a title (center, top).

        The heading contains your name followed by an 'as of' date, which is useful for you when multiple copies begin to flourish, as in the Sorcerer's Apprentice: It is good to know which of many is the most recent. The heading also contains the assignment, e.g., "H390: Proposal#1."  Include page numbers at the top right. (Some of my online example do not conform to the Form-Norm because the web-page format does not always allow it. Sorry about that.)

      Double space prose segments, e.g., Proposals, Literature Review and Topical Essay.  The Notes, the Long and Short Outlines can appear as you  find most useful.  Please use Spell-Check on all final copies.  Do have a friend or tutor read over your work so that a second opinion provides you with choices before it is turned in.  Keep margins about an inch all around.

     Work on good sentence structure from the beginning (even in Notes) because you may be lifting some sentences to include directly into your final project.  That is the whole rationale of HIST 390 Segments: To incorporate these Segments into the final thesis.  For example, your Final Proposal will become the first pages of the thesis.  The Literature Review and the Topical Essay will be incorporated, as appropriate.  The idea is that working on parts (now) will make working on the whole (later) so much easier.

       And finally, use the Kate Turabian style book as your guide to citations and all such matters.

Once learned, always known: the main goal of H390/490.

Westminster College

        Westminster College seeks to provide equal access to the college's programs, services, and activities to people with disabilities as defined by the ADA and Section 504 of the Rehabilitation Act of 1973. If you have a disability for which you will need accommodations in this class, please let the instructor know as soon as possible. You will also be required to provide documentation of your disability to the Services for Students with Disabilities program in the START Center (Carleson Hall, 832-2590) visits. Last updated January 3, 2007  

 

 

email an artist looking for work


  mm home